I came onto Live Free or Die Hard late during production. I was asked to jump in and help with the animations and designs for the playback graphics. I helped design and animate screens in the FBI Headquarters, Gabriels Computers, MTA, Van and F-35 Jet. Some of the graphics were built to be interactive and some were just loops. Then once we got through all of production, I came back to Design and animate new the elements for post production.
During Post Production I would sit with the editor Nicolas DeToth and the Director Len Wiseman and go over the shots that needed to be changed. I would match the graphics to fit the cut and story changes. After making the changes and building slap comps for editorial to get approved, I would send the content to VFX or I would export straight to film for the full frame shots.