RED ONE

At Twisted Media, I worked with the team in Atlanta on Red One, designing, animating, and integrating all screen graphics across both military-style and fantastical environments. We created the visual identity for MORA’s operations, including their command bases, surveillance hubs, and logistical tech systems—alongside more imaginative graphic environments like Santa’s workshop and MIRA headquarters. These elements served both narrative and functional needs, blending covert organizational visuals with playful yet polished holiday-world aesthetics.

All interfaces were built for live, in-camera playback, delivering functional, interactive graphics that actors could work with directly on set. In post-production, I oversaw the delivery of VFX-ready screen content, ensuring seamless continuity between what was shot in-camera and what was expanded or enhanced afterward.

The project was a creative delight—a break from the ordinary tech work—where I got to balance realism in military environments with vibrant, festive storytelling tools. The result was a cohesive visual world that felt both grounded and delightfully imaginative.